Li Meishu Memorial Hall Rose-Giclee digital print

Art criticism Very typical of the late still life style, the picture effect of white light and highlights the "linear" depiction. The vases always use antique copper- Bronze vases, The beauty of patterned carving. The use of color is more dependent on white, and the brightness is relatively strong. This work is elegant and refined, the color of each rose changes, and the 19 leaves are rich in light and shadow. The background and desktop are mixed with blue and red. The texture of the pointed-mouth porcelain vase is quite successful and very textured. Li Meishu likes to paint roses, which is pleasing and elegant. When her daughter is about to get engaged or married, she will send roses as a blessing. Li Meishu likes antique vases and other cultural relics, which can be used for flower arrangement and decoration. Digest / Li Meishu Memorial Hall Introduction of genuine art Title: Rose Material: Canvas Size: 45.5×38cm (8F) Type of work: Oil painting Creation time: 1980 Subject matter: Still life Collection: Li Meishu Memorial Hall 【Frameless painting】 Printing method｜11-color top art micro-jet (Giclée) Material｜｜1. The world's top brand Canson® Museum Pro matte oil canvas‧ 385g/m² super thick pounds‧ Advanced technology of microporous coating‧ Matting waterproof protection‧100% pure cotton acid free 2. Economical matte canvas 280g/m²‧polyester fiber Dimensions | 20x30, 30x45, 60x40cm Thickness 2 cm Back panel accessories｜Handmade wooden plank, hidden nail design with stand, lanyard Limited Edition｜100 Pieces ★Museum-level canvas VS economical canvas https://live.staticflickr.com/65535/52188070758_1092ee7074_c.jpg ★Limited editions will be accompanied by a certificate of number of editions purchased★ ★Shipped within 8 working days after ordering, excluding holidays★ https://live.staticflickr.com/65535/52188544810_843a4b22cb_c.jpg Unframed paintings can enjoy rake You can use the laser engraving service on the back of the service to engrave what you want to say as a souvenir! ★For laser engraving service, please [Order Remarks] when placing an order Fill in the required text (no more than ten characters)★ https://live.staticflickr.com/65535/52188313584_512dfd7524_c.jpg Artist introduction Li Meishu (1902-1983) was a student at the Normal School of the Governor's Mansion Mandarin School in his early years. He was deeply influenced by Western painting, and the idea of learning painting arose spontaneously. Early paintings "Still Life" in 1927; "Three Gorges Back Street" in 1928 were selected for the first and second Taiwan Exhibition. In 1928, he went to Tokyo to study painting at the three painting institutes of Kawabata, Toshusha and Hongo. In the following year, he passed the entrance examination of Tokyo Art School (the predecessor of Tokyo Art University), Teachers such as Nagahara Kotaro, Kobayashi Mango and Okada Saburosuke, etc., laid a solid foundation for subsequent realistic styles. In 1934, together with friends Chen Chengbo, Yan Shuilong, Yang Sanlang, Liao Jichun, Chen Qingfen, Li Shiqiao, and Lishi Tiechen, he co-created the Taiyang Art Association. In 1935, "Daughter of Rest" won the first seat of the 9th Taiwan Exhibition. Received the "Taiwan Governor's Award". In 1939, "Red Clothes" was selected for the 3rd Cultural Exhibition (formerly the Imperial Japan Exhibition). In 1940, "Flowers and Women" was selected for the 4th Cultural Exhibition (Blessings Exhibition), Since then, he has established his historical status as an outstanding Western artist in Taiwan. In 1946, he applied for the first provincial exhibition review committee, and the exhibition "Sunday" was purchased by the provincial government and presented to President Jiang. Large-scale paintings such as "Dusk" and "Outing" in 1948 are regarded as representative works. After Taiwan's recovery in 1945, In addition to getting involved in the local politics of the Three Gorges, in 1947, he was recommended by the public to preside over the reconstruction of the Qingshui Zushi Temple in Changfuyan. Since then, the subject matter and style of the paintings have increasingly tended to be local and realistic, expressing his maverick and arrogant demeanor. After 1962, he served as a professor of fine arts at Cultural University, National Art College, and Normal University. Director and other teaching positions. Instructing art students and other sculpture students to participate in the metal relief project of the Three Gorges Zushi Temple, It is a pioneering work in the history of art education in Taiwan to invest the professional skills of the academy in the practice of traditional temple construction. In addition to the formal education of the college, Professor Li's contribution to the promotion of art education has guided many traditional wood and stone carvers hired by the Zushi Temple with rigorous and exquisite aesthetic qualities. The ancestral temple has become a "Palace of Oriental Art" built with high-quality carvings, and it is a classic masterpiece of modern temple architecture in Taiwan. In his later years, he was elected by the fine arts circles for such lofty positions as the chairman of the Oil Painting Society, the chairman of the Artists Association, and the honorary chairman of the Oil Painting Society. Li Jingwen, CEO of Li Meishu Memorial Hall Li Meishu Memorial Hall