【Picture 1-Picture 2 is the original picture】
[Figure 3 - Portrait of John Linet, Spanish painter José de Madrazo y Agudo (1781~1859), 1812. 】
Author: Johann Christian Reinhart (1761 ~ 1847)
Name: [A Subiaco], from: [Malerisch radirte Prospecte aus Italien].
Attribution: C. Reinhart fec. Roma.
Technique: Etching.
Year: 1793.
Dimensions: 34 x 26.3 cm (screen). 47.5 x 36 cm (including cardboard).
Remarks: with double-layer cardboard mounting (without frame)
No.: P K-064-2
about the author:
The German painter and printmaker Johann Christian Reinhart (1761-1847) is regarded as the founding figure of German Romantic landscape painting, but his golden age began in Italy. At the turn of the 18th and 19th centuries, many German artists who had worked in Italy used printmaking as their main creative medium, and Reiner was one of them. After the Renaissance, Italy has become a destination for artists to visit. Most of the German Romantic artists have stayed here for a long or a short time, and Leinte not only married here, but also established his artistic reputation here. In 1829, King Ludwig I of Bavaria (Ludwig I, 1786 ~ 1868) commissioned him to paint four huge Italian landscape paintings (about 170 x 270 cm), which can be imagined at the time of Reynter's fame.
Born in Hof, Bavaria, Leinter started painting in high school with the encouragement of his teacher. Originally, he followed in his father's footsteps to study theology before turning to artistic creation. In 1783, he came to Dresden, an important art town in Germany at that time, and studied under the door of Johann Christian Klengel (1751~1824), the master of early German romantic landscape art. Master's work. In 1789 he was awarded a scholarship from the Marquis of Ansbach and left Dresstown for Rome, where he remained until his death in 1847. Living in Rome, perhaps a little more free than in the small principality of Germany at the time, was where Reynter came into contact with artists from all over Europe, including many of his colleagues in his hometown. This is a positive environment where we can learn from each other, but Rinter also has to work hard to stand out in the competitive art market.
His paintings, drawings and engravings earned him a reputation and a lucrative income, and in 1801 Lainte was finally able to marry an Italian woman and start a family. After he came to Rome, he participated in the publication project of the Italian landscape prints: 【Malerisch radirte Prospecte aus Italien】(Maleerisch radirte Prospecte aus Italien) by the then Nuremberg art dealer Johann Friedrich Franenholz. The project took seven years (1792~98) and included 72 scenes of Rome and its environs. Wright and two other German printmakers, Albert Christoph Dies (1755~1822) and Ja Jacob Wilhem Mechau (1745~1808) was responsible for 24 works each. From the perspective of scale and era, this publishing project can be said to be the most important printmaking achievement at that time, and it has laid a new paradigm for landscape expression. Let people use historical events to celebrate the past and remember the present.
The importance of Leinte in the history of art lies in his ability to transform natural landscapes into idealized pictures, combining known styles, themes and shapes, and transforming them with his superb skills, giving them a heroic and sublime flavor. In addition to his 24 works in [Etching of Italian Landscapes], he also continued to create related prints, with a total of 170 pieces. As for his paintings, in addition to the four collections in the New Pinakothek in Munich today In addition to a work commissioned by King Ludwig I of Bavaria, there are eight historical landscape paintings he completed in 1825 at the Palazzo Massimi in Rome, and other works are scattered in galleries across Europe.
Introduction of works:
Subiaco is a town in the Roman province of Italy (about 65 kilometers east of Rome), and it has developed into the center of Western hermitage culture because of the relationship with Saint Benedict of Nursia (480 ~ 547). Here St. Benedict established 12 friars, not a religious order as most people understand it, but a federation of self-governing congregations. His [St. Benedictine Order], which balances the spiritual pursuit of godliness and takes into account the weakness of human nature, has become the norm for most Christian religious groups in the Middle Ages, and he is therefore regarded as the founder of Western Christian monasteries. In this etching, Leinte outlines a chic view of the Subiaco Mountains, where a painter talks beside the Aniene with a local fisherman who appears to be directing the painter to a location . In the picture, the river water flows out from the dark and deep valley, where it suddenly rushes, and the changes of natural creation make people linger. There is a stone house in the mountains on the left side of the picture, suggesting the life of a hermit who practiced here in the past. In this way, the artist adds a pious and mysterious color to the entire natural world through legends and stories of the past. The Italian scenery described by Leinte has become a stage for human history to be staged, as if the mountains, forests, and streams are the witnesses of it.
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- The art of the German Romantic period showed a new style and became a new era style in the history of Western art. Landscape, in romantic art, is transformed into a stage for the interaction between nature and human mind, carrying various elements and showing different tones. (Only one piece per piece)
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