Peach Art Theory Vol.1

"On Peach Art" Vol.1 The magazine of the Taoyuan Museum of Art, titled "Taoyuan Contemporary Art", continues the long-standing axis of promoting thematic research on art and the collection of related works, and is committed to constructing an interpretation perspective of art history research and local art starting from Taoyuan. . In addition to using Taoyuan as a perspective to reorganize the art development context of Taoyuan and Taiwan, the title of the publication also emphasizes using Taoyuan as a base to expand the museum's cross-domain links in curatorial practice, educational promotion, collection research, and inter-museum cooperation. The knowledge map of knots. This first issue has planned the special topic "City Art Museums", specially inviting experts and scholars such as Gao Qianhui and Lian Lili to discuss how city art museums at home and abroad are facing the challenges of the post-epidemic era and the redefinition of post-museums. With collection and curation as the anchor, we will expand the multi-dimensional plan under the function of the museum. In addition, Professor Xie Jiajuan and Teacher Wei Zhujun were invited to discuss respectively the art actions, creations and art ecology in the Greater Taoyuan area on the basis that they had served as the hosts of the Taomei Museum research project. The "Momo Beauty Focus" unit returns to the key business of the Momo Museum that year, including the investigation and research on the Korean International Exchange Exhibition that the Momo Museum has launched in 2023, as well as the Momo Museum designed by Riko Yamamoto, who won the Pritzker Architecture Prize. The curatorial concept of the opening exhibition of Taoyuan City Children’s Art Museum, one of the museum groups. In the "Multiple Perspectives" section, Professor Cai Mingjun used interviews and curatorial plans to deeply describe how Taiwanese artists overcome difficulties and find creative resources; Professor Zeng Yujuan introduced the preparation process of Taoyuan Science and Technology Art Festival over the years, leading us to further understand Taoyuan's wisdom The artistic energy hidden in the city’s development strategy. In the regular unit "Collection Decoding", Taiwanese art historian Lai Mingzhu starts from the mountain works of Xu Shenzhou in the collection of Taomei Museum, and re-examines the creative trajectory of Xu Shenzhou's mountain paintings; our team leader Hong Yuxi starts from the inheritance genealogy of Taoyuan glue painting. , a contextual analysis of the development of Taoyuan gelatin paintings and the museum’s important collections. The above-mentioned multi-faceted touches from the perspective of Taoyuan show that Taomei Museum responds to the development texture of the place and the city, and at the same time attempts to open up a local interpretation perspective on global and local art development issues. We hope that this issue will lead readers to open up many discussions on the development of art in Taoyuan.