Two-piece hand-made pottery by Chen Xuanheng

Firewood pot holder, two-piece tea boat Does not include the schematic teapot in the photo Firewood kiln 1270 degrees four days and three nights firing Hyun Hyung Saku Natural Fire Stain Gold and Silver Market size 14.5cm in diameter 4.5cm in height Small plate diameter 8.5cm 2.5cm in height The large plate can also be used as a flower pot https://live.staticflickr.com/65535/49808000336_f6c7ff981a_z.jpg https://live.staticflickr.com/65535/49807841938_ded25bd09b_z.jpg https://live.staticflickr.com/65535/49810268112_fa6da685a9_z.jpg https://live.staticflickr.com/65535/50002793013_0672932d40_z.jpg https://live.staticflickr.com/65535/50003315566_d56c115c62_h.jpg https://live.staticflickr.com/65535/49996917317_f112cb0cb3_h.jpg https://live.staticflickr.com/65535/49996143653_a98c7bd224_b.jpg https://live.staticflickr.com/65535/49996917267_ff6e7f5889_c.jpg https://live.staticflickr.com/65535/49933658796_b1d5a3dd61_c.jpg https://live.staticflickr.com/65535/49613769862_f53804a647_c.jpg https://live.staticflickr.com/65535/49996663451_987ab79055_b.jpg Chen Xuanheng's resume: Born in Taipei in 1970 Graduated from the Sculpture Group of Fuxing Commerce, Industry and Art in 1988 In 1992, the technical training of the Decoration Group of the Ceramics Department of the Taiwan Handicraft Institute was completed. Selected in the creation group of the first Golden Pottery Award of Ceramic Art in 1993 Graduated from the Sculpture Department of Taiwan Art College Xinglong Ceramics Gift Development Designer Graduated from the Department of Technology, National Taiwan University of Arts Pottery Lecturer, Luzhou Campus, Sanchong Community University, New Taipei City Selected in the Fifth Taiwan International Golden Pot Award Ceramic Art Design Competition in 2014 The 2014 Xiamen Tea Expo exhibited the tea bowl "a bowl of landscape" series 2015 Taipei "Wen Shi" Taiwan Wood Burning Folk Art Fire Dance Beauty Ceramic Art Solo Exhibition 2015 The 20th MIF Investment and Trade Fair at The Venetian Macao 2016 National Taiwan Library Shuanghe Art Gallery, Taiwan Wood Burning Folk Art, Fire Dance Beauty, Ceramic Art Solo Exhibition Executive Secretary of the Cultural Relics Appreciation Committee of the Chinese Cultural Relics Conservation Association The most beautiful encounter between soil and fire in Taipei's "Wen Shi" in 2017 ~ When natural glaze and mineral glaze are together, solo exhibition of firewood ceramic art 2018 Taipei Dadaocheng Xueyicheng Chen Xuanheng Wood-fired Living Pottery Solo Exhibition The 13th International Trade and Cultural Products Trade Fair in Yiwu, Zhejiang in 2018 Selected in the 7th Taiwan International Golden Pot Award Design Competition in 2018 2018 Taipei World Trade Center Tea Culture Industry and Cultural, Creative and Aesthetic Exhibition 2018 Nangang World Trade Tea Expo Hyun Tea Ware Oil Painting Exhibition 2018 Weiwuying Jingtao Award International Tea Culture Competition The 14th International Trade and Cultural Products Trade Fair in Yiwu, Zhejiang in 2019 Selected in the 8th International Golden Pot Award Ceramic Art Design Competition in 2020 Sharing knowledge of firewood Tea people in the shop believe that wood-burning tea utensils are burned at the high temperature of wood for at least four days and three nights throughout the wood kiln. Therefore, the so-called far-infrared rays and wood burning produce carbon in the cup body. Therefore, when using wood-burning tea utensils to drink tea or water, It can convert hard water into soft water, which is better than using a glass. Some people even drink red wine or sorghum in a wood beaker, which is known to eliminate the choking taste of sorghum or the astringency of red wine. Therefore, some people compare the glass cup with the firewood beaker. When the two glasses are allowed to stand for a minute or two at the same time, the texture of the firewood beaker is indeed better than taught. The reason is that firewood pottery itself still has pores, so it is called the pottery that can breathe. This is why many tea people love to store old tea in firewood tea warehouse jars so that the old tea can continue to transform in the firewood tea warehouse. In addition, tea people who love Pu'er tea also like to use wood-burning tea utensils, because old tea is not easy to obtain and the price is high, so using wood-burning tea utensils can relatively make the taste of new tea become closer to the taste of old tea. The above are the various reasons why tea people in the shop love wood-burning tea utensils. However, because everyone’s sensory perceptions are not the same, I still introduce to my friends to appreciate the uniqueness and beauty of the falling ash and fire marks of wood burning utensils. For me, wood burning is a team’s physical strength and willpower. The action art of judgment is also the most beautiful encounter between earth and fire. https://live.staticflickr.com/65535/50000864017_9bf4930ca1_h.jpg https://live.staticflickr.com/65535/49612990488_aab37935b0_h.jpg https://live.staticflickr.com/65535/49613765582_ab00ce75f1_h.jpg https://live.staticflickr.com/65535/50000892172_9a7815eba9_h.jpg https://live.staticflickr.com/65535/50000892127_90faff869b_b.jpg https://live.staticflickr.com/65535/50000635521_d0f5ecccc3_c.jpg https://live.staticflickr.com/65535/50000635466_48d1e4cd5f_c.jpg https://live.staticflickr.com/65535/49613800472_0dd64cab2e_c.jpg https://live.staticflickr.com/65535/49996143928_606c6a23fd_h.jpg https://live.staticflickr.com/65535/49613786857_44848fc986_h.jpg **Reminder before placing an order** **Material** **ceramics** **Use and maintenance method** **1. Not suitable for ovens, microwave ovens, washing/drying machines.** **2. Do not use a steel brush to clean, so as to avoid scratches on the ceramic glaze, please use a soft cloth or other sponge brush.** **1. Part of the products are hand-glazed, and the glaze color varies depending on the depth of the glaze.** **2. Some of them are hand-made, which cannot be the same size as the mass production of machinery, or the wood-fired works occasionally have traces of sticky flow glaze after polishing. This will be clearly shown and explained in the product photos. Those who are not suitable for perfect ideas, please accept it. Consider placing an order with those who appreciate the characteristics of the hand-made.** **3. Due to the minerals contained in ceramics, small cavities, bubbles or small iron spot crystals are generated locally, which is a natural phenomenon after burning at a high temperature of thousands of degrees.** **4. Due to the color difference of the consumer's 3C screen and the natural changes in the firing process, the products on this website may be slightly different from the actual finished products, so the colors of the products are mainly used.** **Designed by Taiwanese workers or commissioned for mass production**