Ink Creations. Ink Forms. Non-Calligraphy: Contemporaneity of East Asian Calligraphy - Collected Papers

Automatic Translation (Original Language: Chinese-Traditional)
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Ink Creations. Ink Forms. Non-Calligraphy: Contemporaneity of East Asian Calligraphy - Collected Papers - Indie Press - Paper

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The "Ink Creations, Ink Forms, 'Non'-Calligraphy: Contemporaneity of East Asian Calligraphy" International Academic Forum was held alongside the "Flying Ink Across Mountains: Yokohoma Calligraphy Art Museum Inaugural Exhibition." This academic event featured presentations and papers by 17 scholars and experts, both domestic and international, delving into the development, challenges, and visions for contemporary calligraphy. This book is a compilation of the papers presented at the forum. This volume includes eight essays and two lecture summaries, each analyzing and discussing the development of contemporary calligraphy from different perspectives. Dean Huang Chih-Yang of the College of Humanities and Arts at Huafan University outlines the conceptual framework for the "Flying Ink Across Mountains" exhibition, illustrating the landscape of contemporary calligraphy's evolution. Professor Tsay Chieh-Teng from National Taiwan University of Arts uses Zen Buddhist thought as an example, demonstrating how classical East Asian spirit can be repurposed as creative inspiration for modern calligraphers and artists, thereby becoming a significant element of contemporary calligraphy. Professor Toshiharu Kawachi of Daito Bunka University in Japan compares the interpretations of calligraphy terminology by prominent modern scholars, analyzing how these interpretations shape the aesthetic thinking of contemporary calligraphy. Associate Professor Lee Ssu-Hsien of Tunghai University examines the connection between calligraphy performance and performance art. Tsai Ming-Tsan, president of Calligraphy Education Monthly, surveys the stylistic origins of modern calligraphy. Researcher Tsai Yao-Ching from the National Museum of History explores the boundaries of Chinese character art. Associate Professor Lee Chien-Te of Fo Guang University presents findings from a questionnaire survey on the backgrounds and creative concepts of calligraphy artists. Assistant Professor Lin Chun-Chen from National Tainan University attempts to address the dilemmas within the modern calligraphy context from a meta-perspective. ISBN: 97862671590882 Dimensions: 19*25*1.55cm Binding: Vertical, left-opening glue binding Pages: 304 Language: Traditional Chinese Rating: None Publication Date: July 2022

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No.7,133 - Stationery  |  No.128 - Indie Press
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This book explores the concept of calligraphy not as a rigid set of rules, but through its inherent materiality and expressive forms. It features lectures and papers by scholars from around the globe, fostering discussions that re-examine how calligraphy can remain relevant in daily life. The aim is to position calligraphy as a distinct yet adaptable art form, revealing its multifaceted presence in contemporary society.

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