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4 days and 3 nights at 1270°C
Uphold the spirit of simple and interesting tea utensils
Accompany the tea people through every meticulous time of tea infusion
Chen Xuanheng's resume:
Born in Taipei in 1970
Graduated from the Sculpture Group of Fuxing Commerce, Industry and Art in 1988
In 1992, the technical training of the Ceramics Division Decoration Group of the Taiwan Handicraft Research Institute completed
Selected in the creation group of the first Golden Pottery Award of Ceramic Art in 1993
Graduated from the Sculpture Department of Taiwan Art College
Xinglong Ceramics Gift Development Designer
Graduated from the Department of Technology, National Taiwan University of Arts
Pottery Lecturer, Luzhou Campus, Sanchong Community University, New Taipei City
Selected in the 5th Taiwan International Golden Pot Award Ceramic Art Design Competition in 2014
Exhibited at Yingge Museum, New Taipei City
2014 Xiamen Tea Expo exhibited the tea bowl "a bowl of landscape" series
2015 Taipei "Wen Shi" Taiwan Wood Burning Folk Art Fire Dance Beauty Ceramic Art Solo Exhibition
2015 The 20th MIF Investment and Trade Fair at The Venetian Macao
2016 Shuanghe Art Gallery, National Taiwan Library, Taiwan Wood Burning Folk Art, Fire Dance Beauty, Ceramic Art Solo Exhibition
Executive Secretary of the Cultural Relics Appreciation Committee of the Chinese Cultural Relics Conservation Association
The most beautiful encounter between soil and fire in Taipei's "Wen Shi" in 2017-when natural glaze and mineral glaze are together, solo exhibition of firewood ceramic art
2018 Taipei Dadaocheng Xueyicheng Chen Xuanheng Wood-fired Living Pottery Solo Exhibition
2018 Zhejiang Yiwu 13th International Trade and Cultural Products Fair
Selected in the 7th Taiwan International Golden Pot Award Design Competition in 2018
Exhibited at the Farglory Art Museum of New Taipei City
2018 Taipei World Trade Center Tea Culture Industry and Cultural Creative Aesthetics Exhibition
2018 Nangang World Trade Tea Expo Hyun Tea Oil Painting Exhibition
2018 Weiwuying Jingtao Award International Tea Culture Competition
2019 Zhejiang Yiwu 14th International Trade and Cultural Products Trade Fair
Selected in the 8th International Golden Pot Award Ceramic Art Design Competition in 2020
Exhibited at Taichung City Harbor Art Center
Sharing knowledge of firewood
Tea people in the shop believe that wood-burning tea utensils are burned at high temperatures for at least four days and three nights in the wood kiln. Therefore, the so-called far-infrared rays and wood burning produce carbon in the cup body. Therefore, when using wood-burning tea devices to drink tea or water, It can convert hard water into soft water, which is better than using a glass.
Some people even drink red wine or sorghum in a wood beaker, which is known to eliminate the choking taste of sorghum or the astringency of red wine.
Therefore, some people compare the glass cup with the firewood beaker. When the two glasses stand for a minute or two at the same time, the taste of the firewood beaker is indeed better than taught. The reason is that firewood pottery itself still has pores, so it is called the pottery that can breathe. Many tea people love to store old tea in firewood tea warehouse jars so that the old tea can continue to transform in the firewood tea warehouse.
In addition, tea people who love Pu'er tea also like to use wood-burning tea utensils, because old tea is not easy to obtain and the price is high, so using wood-burning tea utensils can relatively make the new tea change closer to the taste of old tea.
The above are various reasons why tea people in the shop love wood-burning tea utensils.
But because everyone’s sensory perceptions are not the same, I still introduce to my friends to appreciate the uniqueness and beauty of the falling ash and fire marks of wood burning utensils. For me, wood burning is a team’s physical strength and willpower. The action art of judgment is also the most beautiful encounter between earth and fire.
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**Reminder before placing an order**
**Material**
**ceramics**
**Use and maintenance method**
**1. Not suitable for ovens, microwave ovens, washing/drying machines.**
**2. Do not use gold steel brushes to clean, to avoid scratches on the ceramic glaze, please use soft cloth and other sponge brushes.**
**1. Part of the products are hand-glazed, and the glaze color varies with the depth of the glaze.**
**2. Some of them are hand-made, which cannot be the same size as the mass production of machinery, or the wood-fired works occasionally have traces of sticky flow glaze after polishing, which will be clearly shown and explained in the product photos. Those who are not suitable for perfect ideas, please accept Consider placing an order with those who appreciate the hand-made features.**
**3. Due to the minerals contained in ceramics, small cavities, bubbles or small iron spots are formed locally, which is a natural phenomenon after burning at a high temperature of 1000 degrees.**
**4. Due to the color difference of the consumer's 3C screen and the natural changes in the firing process, the products on this website may differ slightly from the actual finished products, so the colors of the products are mainly used.**
**Taiwanese craftsmen design handmade or commissioned mass production**
Product Description
Product Details
- Material
- Pottery
- How It's Made
- Handmade
- Where It's Made
- Taiwan
- Ranking
- No.62,503 - Kitchen & Dining | No.9,160 - Teapots & Teacups
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- 1 sold
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- Product Type
- Original Design
- Listing Summary
- Wood beaker holder There is a small hole dug into which you can insert incense of a suitable caliber and use it as an incense plate. Chen Xuanheng hand-drawn billet, fired in a wood kiln at 1270 degrees for four days and three nights Natural Falling Ash Fire Mark Size: diameter 10.5 height 2cm
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