Line drawing-lines outline the form, abandon the detailed description, and pursue the deep "illusion" of things. In this way, the concept prototype of the entire series is unfolded, and insects/plants are selected as the concrete objects of expression, showing a state of soft curves. The large amount of blank space outside the lines is intended to lead to thinking: is it really better to be full, full, and [full] everywhere in your life? Sometimes, we long for a gap.
