🔞Please do not purchase if you are under 18 years old🔞[Food and Sex] 9 exhibition commemorative pop-up cards + 2 key visual postcards
"Desire is the paint that leaves the scenery on the flesh-colored canvas."
Ning Wen photographed the good and bad desires in Gayle S. Rubin's sexual hierarchy, as if they were high and low musical scales, composing a movement about desire. However, these notes are not fixed. Different desires will switch classes in different time and space backgrounds, becoming an organic state that is constantly changing.
Sex photographer-Ning Wen focuses on capturing all kinds of "sexual" photos. In his creation, "sex" is not only for pleasure, nor for the continuation of survival. They have various blooming postures and are treated gently or violently in different time, space and culture. Regardless of whether it is given sacredness or stigmatization, in the end there is always contentment, provocation, emptiness, loneliness, regret, fear, peace...
If sex is like waves coming in waves, what will be stranded after the tide ebbs?
"Desire is pigment, leaving landscapes on the canvas of flesh."
Ning Wen captures the spectrum of good and bad desires in Gayle S. Rubin's sexual hierarchy, resembling a musical composition with highs and lows, weaving a symphony of desire. However, these notes are not fixed; different desires switch hierarchies in different temporal and spatial contexts, creating a constantly changing organic state.
As a sexual photographer, Ning Wen focuses on capturing the remnants of various facets of "sex." In their creations, "sex" is not solely for pleasure or the continuation of life. They exhibit various blossoming postures, being treated with tenderness or violence in different times and cultures. Whether endowed with sacredness or stigma, in the end, there always remains a sense of satisfaction, teasing, emptiness, loneliness, regret, fear, calmness...
If sex is a wave that crashes upon us, what is left stranded after the tide recedes?
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