April Day on Earth - Transparent Loose Dress - Peach Blossom Embroidery

April Day on Earth - Transparent Loose Dress - Peach Blossom Embroidery White transparent loose dress + cotton silk petticoat. Mulberry silk, handmade peach blossom embroidery, transparent texture, single row of bead buttons on the side, round neck, wide sleeves, thin border outline. Standing out for its flowing silhouette and delicate peach blossom embroidery, this dress is launched for Spring 2023. This piece is made of elegant silk with fine edges. The cloud buckle on the chest echoes the translucent round buckle on the side. It is also decorated with hand-made pottery embroidery on the chest. Unique high-end customization: Each person's needs for customized models are different, and each piece can be adjusted and styled differently according to the customer's needs. Please note that the fabrics in the pictures on the shelves will change due to seasonality. High-end ordering requires one-on-one communication to tailor a unique and exclusive design for you! Fabric: Pure silk yarn, also known as plain yarn, is a yarn with mulberry silk as its warp and weft. Both the warp and weft yarns are twisted to a certain degree and are woven with a plain weave. The warp and weft density are relatively sparse, and the fabric is light and thin. There are also yarn-dyed fabrics, the silk surface is crepey and transparent, the hand feels flat and slightly stiff, and the fabric has clear holes. Mainly used as women's evening gowns, wedding gowns, costumes, etc. Suzhou embroiderers have 30-40 years of experience in exquisite craftsmanship. Split threads, short stitches, and natural color blooming. The luster of the silk thread makes the pattern more three-dimensional, and the embroidery under light has a stronger three-dimensional effect. size / Medium size Bust 90cm Waist 80 cm Hips 94 cm Shoulder sleeve length 47cm Clothes length 105 cm Large size L Bust 94cm Waist 84cm Hips 98 cm Shoulder sleeve length 48cm Clothes length 106 cm XL Bust 98cm Waist 88cm Hips 102cm Shoulder sleeve length 49cm Clothes length 107 cm https://live.staticflickr.com/65535/52798599882_0ca8134bd4_b.jpg Exclusive interview with designer Miao Haiyan | Craftsmanship, reshaping oriental aesthetics! "Wash away the lead and see the gold, fade away the glitz and return to the true nature" is a perfect description of Miao Haiyan. We are moved by her love for traditional Chinese culture and her persistence in intangible cultural heritage. The most important thing is Teacher Miao's gentle and quiet temperament and her focused and sincere eyes when designing, which easily wins everyone's trust and attention. https://live.staticflickr.com/65535/52782986600_bff9201b2d_b.jpg Miao Haiyan, advanced custom clothing designer Distinguished lecturer and off-campus tutor at the Advanced Customization Research Center of Beijing Institute of Fashion Technology Shanghai University Academy of Fine Arts, Distinguished Designer of Shanghai Public Art Collaborative Innovation Center Cross-border designers derived from the application of intangible cultural heritage skills Shanghai Intangible Cultural Heritage Protection Center Cooperation Unit Special exhibitor of Shanghai Intangible Cultural Heritage Protection Association Dubai Exhibition https://live.staticflickr.com/65535/52782986645_6a3648f169_b.jpg With more than ten years of work experience, he has a strong interest in traditional Chinese clothing culture. After years of study and exploration, he has led the team to master the production and decoration techniques of various cheongsams and Chinese-style dresses. Through the integration of professional design thinking, we provide various customer groups with customized clothing design services that match their personal temperament and adapt to different occasions. https://live.staticflickr.com/65535/52783044883_e46a638cea_b.jpg During his work, he designed and produced Chinese-style clothing for Singaporean Senior Minister Lee Kuan Yew and his wife, and designed and produced clothing for foreign-related performances and visiting personnel of the Ministry of Foreign Affairs of China (Beijing). After establishing an independent studio, she produced cheongsam and other clothing for various activities of the Shanghai Women's Federation, was invited to participate in the Shanghai Intangible Cultural Heritage Dubai Exhibition, and participated in the cross-border design of intangible cultural heritage in Shanghai Design Week many times... https://live.staticflickr.com/65535/52782827284_c3890ab65d_b.jpg Long-term cooperation with the Shanghai Fashion Research Institute, restoring antique clothing, designing and producing exhibitions and collecting traditional clothing. Cooperating with the Shanghai Intangible Cultural Heritage Protection Center, we design and produce clothing and gifts based on intangible cultural heritage artworks, and the original works are collected by the Shanghai Fashion Research Institute. https://live.staticflickr.com/65535/52783045088_f3071ab453_b.jpg In 2005, he founded Shanghai Yanmu Customization Studio and has been serving high-end customers to this day. We insist on using pure hand embroidery, hand painting, traditional hand sewing techniques, as well as natural silk, wool and other main materials, coupled with unique designs that are modern, suitable for life and suitable for different occasions, to present a noble oriental charm! https://live.staticflickr.com/65535/52782826654_389e63dcef_b.jpg Based on the rich traditional Chinese culture, using modern and fashionable thinking, it combines superb technology, harmonious product aesthetics, and personalized and humanized quality connotations to advocate a new concept of aesthetic life. During the "3rd China Advanced Customization Industry Development Summit", Mr. Miao brought his works to the summit show, won applause from the audience, and won the first Advanced Customization "Excellent Teacher" award. Fortunately, we met and interviewed Teacher Miao backstage and experienced the shocking beauty of the clothes she made with traditional handicrafts up close. Among the costumes participating in the catwalk, Teacher Miao introduced us to the dress "Thousand Miles of Rivers and Mountains". https://live.staticflickr.com/65535/52799166921_51a94fcb79_b.jpg This garment was developed by Teacher Miao's team in collaboration with Shanghai University Academy of Fine Arts and the Public Art Collaborative Innovation Center. It is woven entirely by hand using the Kesi weaving method. "Kesi is the only garment that so far has no way to use machines to replace weaving." This kind of textile fabric is all hand-woven, so even though it is a very small top, it took us about a month to weave it. The master who weaved this piece of clothing is also the sixth generation descendant of Kesi silk making. His previous Our ancestors made clothes for the emperor, and everyone including Cixi wore their clothes." Teacher Miao also said that the skirt part under "Thousands of Miles of Rivers and Mountains" represents "clouds" and "water", which means "moving clouds and flowing water"; he also cut a piece from the original painting as the upper part of the costume, so that the top and bottom correspond to each other, and it seems to be real. We showed a three-dimensional picture of "Thousands of Miles of Rivers and Mountains". We also learned that the costumes in the recently popular TV series "Bells on the Bund" were also designed by Mr. Miao. "Bells on the Bund" tells the story from the Cultural Revolution to ten years after the reform and opening up. It is a reflection of the cheongsam of that era and today. Teacher Miao also has his own opinions on the differences in production. "The body shapes of people in that era have changed a lot from those of us now. People at that time actually had no curves. In China, for a period of time, corsets were used, and the body curves were not very obvious, so the cheongsam at that time was Flat cutting, although some designers now pursue flat cutting, I think flat cutting is not very suitable for us today. After all, what we are pursuing now is curvy beauty. In the late 1940s, cheongsam had begun to be combined with Western tailoring. There are also many changes in bust darts, waist darts, and styles. I think cheongsam has been changing to a certain extent to adapt to the current lifestyle.” https://live.staticflickr.com/65535/52798619767_17eaea00c4_o.jpg When introducing Teacher Miao, Mr. Wang Xiaocan, Chief Brand Executive Officer of FDC and Director of the Advanced Customization Research Center, said that the first time I met Ms. Miao, I was impressed by her quiet concentration in designing. Indeed, it’s hard not to be moved by Teacher Miao’s calm and firm temperament when designing. https://live.staticflickr.com/65535/52782876879_d43a0c8b03_b.jpg https://live.staticflickr.com/65535/52783037230_6b27e006ff_b.jpg https://live.staticflickr.com/65535/52782633701_c9b539555a_b.jpg https://live.staticflickr.com/65535/52782633726_d7e39f3223_b.jpg Work history: Yanmu Studio was established in July 2002 and officially registered with the Industrial and Commercial Administration of Shanghai in August 2005. Yanmu Clothing Co., Ltd., the "Yanmu" trademark brand was successfully registered by the China Trademark Administration twice in 2006 and 2012. At the end of 2015, he signed a contract with the Advanced Customization Center of the School of Re-education of Beijing Institute of Fashion Technology and became a lecturer and off-campus tutor. division. Since 2015, it has been cooperating with PACC of Shanghai University to create intangible cultural heritage cross-border designs. So far, it has multiple clothing series, and has participated in Shanghai Design Week, intangible cultural heritage works exhibition, handicraft exhibition, etc. with PACC in consecutive years. In April 2016, he was invited by the Shanghai Intangible Cultural Heritage Protection Center to participate in the "Essence of Master Craftsman" intangible cultural heritage exhibition in Dubai, and specially designed a Chinese embroidered Arabic black robe for this exhibition, which was praised by the UAE Minister of Culture. In 2017, he participated in PACC intangible cultural heritage research and training, Sichuan Aba weaving and embroidery class, national weaving and embroidery class, etc., and participated in the final creation and design throughout the process. Participated in Shanghai Design Week exhibition in August 2017 On March 1, 2018, the intangible cultural heritage series participated in the opening catwalk of the "Jiangnan Hundred Crafts" exhibition in Shanghai. In June 2018, the (Shu Embroidery) "Hibiscus Containing Dew" series jointly developed with Shanghai University (PACC Platform) was released at the Shanghai Special Exhibition of Prince Gong's Intangible Cultural Heritage Research and Training Achievements in Beijing. In the same month, he participated in the development of the final product of Shanghai University’s intangible cultural heritage training class, and collaborated with the inheritors of Dui embroidery thangkas and the inheritors of yak down hand-weaving on the final products. Participated in Shanghai Design Week exhibition in August 2018 In October 2018, he participated in the "2018 International Symposium on Chinese National Costume Culture" hosted by Beijing Institute of Fashion Technology. In November 2018, he participated in the graduation creative design of the PACC Xinjiang Intangible Cultural Heritage Research Training Class. Participated in Shanghai International Handmade Exhibition in December 2018 In December 2018, he participated in the Beijing Institute of Fashion Technology’s intangible cultural heritage research and training project, a poverty alleviation pilot program that sent classes to the countryside, and the Aershan bark painting research and training project. He taught pattern and color classes and led students to complete some innovative application design works of bark painting. At the end of December 2018, he participated in the China Advanced Customization Industry Summit of Beijing Institute of Fashion Technology, and participated in show releases and static exhibitions, etc. In March 2019, he participated in the intangible cultural heritage research and training of the Beijing Institute of Fashion Technology, produced the final work of the Inner Mongolia Embroidery Training Class, and participated in the release of the "Eji Pastoral Song" show at Beijing Fashion Week At the end of March 2019, I went to Zunyi to investigate the bamboo weaving and carving techniques with the Shanghai University Intangible Cultural Heritage Research and Training Delegation. Currently, I am working with the team on a project to develop the application of bamboo products in clothing.