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Hyun tea device
Park Ye Zhenqu
Feel the temperature, Hyun Hyung
Zhuyun Yueheng Studio
Four days and three nights at 1270 degrees high temperature tempering in the wood kiln
Uphold the spirit of simple and interesting tea utensils
Accompany the tea people through every meticulous time when the tea soup enters the soul
Chen Xuanheng's resume:
Born in Taipei in 1970
Graduated from the Sculpture Group of Fuxing Commerce, Industry and Art in 1988
In 1992, the technical training of the Decoration Group of the Ceramics Department of the Taiwan Handicraft Institute was completed
Selected in the creative group of the first Golden Pottery Award Competition in 1993
Graduated from the Sculpture Department of Taiwan Art College
Xinglong Ceramics Gift Development Designer
Graduated from the Department of Technology, National Taiwan University of Arts
Lecturer of Hand-made Pottery Art at Luzhou Campus, Sanchong Community University, New Taipei City
Selected in the Fifth Taiwan International Golden Pot Award Ceramic Art Design Competition in 2014
Joint exhibition at Yingge Museum, New Taipei City
The 2014 Xiamen Tea Expo exhibited the firewood tea bowl "a bowl of landscape" teaware series
2015 Taipei "Wen Shi" Taiwan Wood Burning Folk Art Fire Dance Beauty Ceramic Art Solo Exhibition
Wood-fired pottery tea ware on display at the 20th MIF Investment and Economic Trade at The Venetian Hotel in Macau in 2015
2016 Shuanghe Art Gallery, National Taiwan Library
Executive Secretary of the Cultural Relics Appreciation Committee of China Cultural Relics Conservation Association
The most beautiful encounter between soil and fire in Taipei City in 2017-when natural glaze and mineral glaze are together, solo exhibition of firewood pottery
2018 Taipei Dadaocheng Xueyicheng Chen Xuanheng Wood-fired Living Pottery Solo Exhibition
The 13th International Trade and Cultural Products Trade Fair in Yiwu, Zhejiang in 2018
Selected in the 7th Taiwan International Golden Pot Award Design Competition in 2018
Exhibited at the Farglory Museum of Humanities and Art, New Taipei City
2018 Taipei World Trade Center Tea Culture Industry and Cultural and Creative Aesthetics Exhibition
2018 Nangang World Trade Tea Expo Hyun Tea Ware Oil Painting Exhibition
2018 Weiwuying Jingtao Award International Tea Culture Competition
2019 Zhejiang Yiwu 14th International Trade and Cultural Products Trade Fair
Selected in the 8th International Golden Pot Award Ceramic Art Design Competition in 2020
Joint exhibition at Taichung City Harbor Art Center
2021 Meng Jiao Gallery, Taipei City
Joint Exhibition of Chai-fired Pottery and Camellia at the Tibetan Mountain Art Gallery in Sanyi, Miaoli in 2021
Sharing knowledge of firewood
Tea people in the shop believe that wood-burning tea utensils are burned at the high temperature of wood for at least four days and three nights throughout the wood kiln. Therefore, the so-called far-infrared rays and wood burning produce carbon in the cup body. Therefore, when using wood-burning tea utensils to drink tea or water, It can convert hard water into soft water, which is better than using a glass.
Some people even drink red wine or sorghum in a wood beaker, which is known to eliminate the choking taste of sorghum or the astringency of red wine.
Therefore, some people compare the glass cup with the firewood beaker. When the two glasses are allowed to stand for a minute or two at the same time, the texture of the firewood beaker is indeed better than taught. The reason is that firewood pottery itself still has pores, so it is called pottery that can breathe. This is why many tea people love to store old tea in firewood tea warehouse jars so that old tea can continue to transform in firewood tea warehouse.
In addition, tea people who love Pu'er tea also like to use wood-burning tea utensils, because old tea is not easy to obtain and the price is high, so using wood-burning tea utensils can relatively make the new tea change closer to the taste of old tea.
The above are the various reasons why tea people in the shop love wood-burning tea utensils.
But because everyone’s sensory perceptions are not the same, I still introduce to my friends to appreciate the uniqueness and beauty of the falling ash and fire marks of wood burning utensils. For me, wood burning is a team’s physical strength and willpower. The action art of judgment is also the most beautiful encounter between earth and fire.
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**Reminder before placing an order**
**Material**
**ceramics**
**Use and maintenance method**
**1. Not suitable for ovens, microwave ovens, washing/drying machines.**
**2. Do not use a steel brush to clean, so as to avoid scratches on the ceramic glaze, please use a soft cloth or other sponge brush.**
**1. Part of the products are hand-glazed, and the glaze color varies with the depth of the glaze.**
**2. Some of them are hand-made, which cannot be the same size as the mass production of machinery, or the wood-fired works occasionally have traces of sticky flow glaze after polishing. This will be clearly indicated and explained in the product photos. Those who are not looking for a perfect idea, please accept it. Consider placing an order with those who appreciate the characteristics of hand-made products.**
**3. Due to the minerals contained in ceramics, small cavities, bubbles or small iron spot crystals are generated locally, which is a natural phenomenon after burning at a high temperature of thousands of degrees.**
**4. Due to the color difference of the consumer's 3C screen and the natural changes in the firing process, the products on this website may be slightly different from the actual finished products, so the colors of the products are mainly used.**
**Designed by Taiwanese craftsmen or commissioned for mass production**
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Hyun tea device
Park Ye Zhenqu
Feel the temperature, Hyun Hyung
Zhuyun Yueheng Studio
Four days and three nights at 1270 degrees high temperature tempering in the wood kiln
Uphold the spirit of simple and interesting tea utensils
Accompany the tea people through every meticulous time when the tea soup enters the soul
Chen Xuanheng's resume:
Born in Taipei in 1970
Graduated from the Sculpture Group of Fuxing Commerce, Industry and Art in 1988
In 1992, the technical training of the Decoration Group of the Ceramics Department of the Taiwan Handicraft Institute was completed
Selected in the creative group of the first Golden Pottery Award Competition in 1993
Graduated from the Sculpture Department of Taiwan Art College
Xinglong Ceramics Gift Development Designer
Graduated from the Department of Technology, National Taiwan University of Arts
Lecturer of Hand-made Pottery Art at Luzhou Campus, Sanchong Community University, New Taipei City
Selected in the Fifth Taiwan International Golden Pot Award Ceramic Art Design Competition in 2014
Joint exhibition at Yingge Museum, New Taipei City
The 2014 Xiamen Tea Expo exhibited the firewood tea bowl "a bowl of landscape" teaware series
2015 Taipei "Wen Shi" Taiwan Wood Burning Folk Art Fire Dance Beauty Ceramic Art Solo Exhibition
Wood-fired pottery tea ware on display at the 20th MIF Investment and Economic Trade at The Venetian Hotel in Macau in 2015
2016 Shuanghe Art Gallery, National Taiwan Library
Executive Secretary of the Cultural Relics Appreciation Committee of China Cultural Relics Conservation Association
The most beautiful encounter between soil and fire in Taipei City in 2017-when natural glaze and mineral glaze are together, solo exhibition of firewood pottery
2018 Taipei Dadaocheng Xueyicheng Chen Xuanheng Wood-fired Living Pottery Solo Exhibition
The 13th International Trade and Cultural Products Trade Fair in Yiwu, Zhejiang in 2018
Selected in the 7th Taiwan International Golden Pot Award Design Competition in 2018
Exhibited at the Farglory Museum of Humanities and Art, New Taipei City
2018 Taipei World Trade Center Tea Culture Industry and Cultural and Creative Aesthetics Exhibition
2018 Nangang World Trade Tea Expo Hyun Tea Ware Oil Painting Exhibition
2018 Weiwuying Jingtao Award International Tea Culture Competition
2019 Zhejiang Yiwu 14th International Trade and Cultural Products Trade Fair
Selected in the 8th International Golden Pot Award Ceramic Art Design Competition in 2020
Joint exhibition at Taichung City Harbor Art Center
2021 Meng Jiao Gallery, Taipei City
Joint Exhibition of Chai-fired Pottery and Camellia at the Tibetan Mountain Art Gallery in Sanyi, Miaoli in 2021
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https://live.staticflickr.com/65535/51756629649_46c8bc8aab_m.jpg
**Reminder before placing an order**
**Material**
**ceramics**
**Use and maintenance method**
**1. Not suitable for ovens, microwave ovens, washing/drying machines.**
**2. Do not use a steel brush to clean, so as to avoid scratches on the ceramic glaze, please use a soft cloth or other sponge brush.**
**1. Part of the products are hand-glazed, and the glaze color varies with the depth of the glaze.**
**2. Some of them are hand-made, which cannot be the same size as the mass production of machinery, or the wood-fired works occasionally have traces of sticky flow glaze after polishing. This will be clearly indicated and explained in the product photos. Those who are not suitable for perfect ideas, please accept it. Consider placing an order with those who appreciate the characteristics of hand-made products.**
**3. Due to the minerals contained in ceramics, small cavities, bubbles or small iron spot crystals are generated locally, which is a natural phenomenon after burning at a high temperature of thousands of degrees.**
**4. Due to the color difference of the consumer's 3C screen and the natural changes in the firing process, the products on this website may be slightly different from the actual finished products, so the colors of the products are mainly used.**
**Designed by Taiwanese craftsmen or commissioned for mass production**
Product Description
Product Details
- Material
- Porcelain
- How It's Made
- Handmade
- Where It's Made
- Taiwan
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- Product Type
- Original Design
- Listing Summary
- Firewood twice Natural glaze falling ash plus Shino glaze Eight days and seven nights 1270 degrees reduction burn Handmade by Chen Xuanheng Material: Japanese porcelain clay
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