Enhance the sense of life ritual - brocade carry bag - dragonfly pattern - Chinese long clip - pencil case

1. Carry-on bag design with brocade dragonfly pattern. 2. Multifunctional for pencil case, wallet or ID bag. 3. It can hold small notepads, mobile phones, leisure cards, nail clippers, small scissors, sewing boxes and small personal items, etc., which is convenient for participating in outdoor activities or as a bag in a travel bag. ◆ An intimate travel companion necessary for travel ◆ Light and Wind ONLY 29g ◆ Suitable for daily use alone, can be put into a side bag or handbag as a whole ◆ The small and long clip design is easy to take and put, and the invisible zipper and slippery zipper are more comfortable to use ◆ Width: 20.5cm Height: 9.8cm Thickness: .01-0.8cm / Size is for reference only, the actual size is subject to the actual product Washing method/ If there are small stains, please use a damp cloth with an appropriate amount of diluted neutral detergent, wipe it gently, and place it in a cool place to dry. For large area washing, gently squeeze, wash and squeeze to remove water, hang to dry in the shade, do not expose to the sun, not suitable for drying. https://live.staticflickr.com/65535/52829149503_55ab27399b_b.jpg * The pen and card holder are photo props, not commodities, and the same color bluefly business card holder can be purchased separately brocade/ Brocade is a kind of weft triple-grain silk fabric, with at least three kinds of colored silk as weft satin pattern, exquisite and gorgeous, and it is also the most famous traditional silk fabric in China. https://live.staticflickr.com/65535/52798599882_0ca8134bd4_b.jpg Interview with designer Miao Haiyan | Craftsmanship, reshaping oriental aesthetics! "Wash away all the lead to see the gold, fade away the glitz and return to the true nature" could not be more appropriate to describe Miao Haiyan. We are moved by her love for traditional Chinese culture and her persistence in intangible cultural heritage. The most important thing is Ms. Miao's gentle and quiet temperament and her focused and sincere eyes when designing, which easily won everyone's trust and attention. https://live.staticflickr.com/65535/52782986600_bff9201b2d_b.jpg Miao Haiyan, haute couture designer Distinguished lecturer and off-campus tutor of Beijing Institute of Fashion Technology Advanced Customization Research Center Shanghai University Academy of Fine Arts, Distinguished Designer of Shanghai Public Art Collaborative Innovation Center Intangible cultural heritage technology application derivation cross-border designer Cooperation unit of Shanghai Intangible Cultural Heritage Protection Center Special exhibitor of Shanghai Intangible Cultural Heritage Protection Association Dubai Boutique Exhibition https://live.staticflickr.com/65535/52782986645_6a3648f169_b.jpg With more than ten years of work experience, he has a strong interest in traditional Chinese clothing culture. After years of study and exploration, he led the team to master the production and decoration techniques of various cheongsams and Chinese dresses. Through the integration of professional design thinking, we provide various customer groups with customized clothing design services that are in line with their personal temperament and suitable for different occasions. https://live.staticflickr.com/65535/52783044883_e46a638cea_b.jpg During his work, he once designed Chinese-style clothing for Singaporean Minister Lee Kuan Yew and his wife, and designed and made clothing for foreign performances and visiting personnel of the Chinese Ministry of Foreign Affairs (Beijing). After the establishment of an independent studio, he made cheongsam and other clothing for various activities of the Shanghai Women's Federation, was invited to participate in the Dubai Exhibition of Shanghai Intangible Cultural Heritage, and participated in the cross-border design of intangible cultural heritage in Shanghai Design Week for many times... https://live.staticflickr.com/65535/52782827284_c3890ab65d_b.jpg Long-term cooperation with the Shanghai Institute of Clothing, restoration of antique clothing, design and production of exhibitions and collection of traditional clothing. Cooperate with Shanghai Intangible Cultural Heritage Protection Center to design and produce clothing and gifts based on intangible cultural heritage artworks, and the original works are collected by Shanghai Fashion Research Institute. https://live.staticflickr.com/65535/52783045088_f3071ab453_b.jpg In 2005, he founded Shanghai Yanmu Custom Studio, serving high-end customers so far. Insist on using pure hand embroidery, hand-painting, traditional hand-sewing techniques, and natural silk, wool and other main materials, coupled with modern, unique designs that suit life and different occasions, presenting a noble oriental charm! https://live.staticflickr.com/65535/52782826654_389e63dcef_b.jpg Based on the rich traditional Chinese culture, with a modern and fashionable way of thinking, it concentrates on superb technology, harmonious product aesthetics, and personalized and humanized quality connotations, advocating a new aesthetic life concept. During the "Third China Advanced Customization Industry Development Summit", Ms. Miao brought her works to the summit show, won applause from the audience, and won the first advanced customization "Excellent Teacher" award. Fortunately, we met and interviewed Ms. Miao backstage, and also felt the shocking beauty of her clothes made with traditional handicrafts up close. Among the costumes participating in the catwalk, Ms. Miao introduced to us the dress of "A Thousand Miles of Rivers and Mountains". https://live.staticflickr.com/65535/52799166921_51a94fcb79_b.jpg This garment was jointly developed by Miao’s team, the Academy of Fine Arts of Shanghai University, and the Collaborative Innovation Center for Public Art. It is hand-woven using the weaving method of Kesi. “Kesi is the only one that cannot be replaced by machines so far. The textile fabric is all hand-woven, so even though it is a small top, we have been weaving it for about a month. The old master who weaves this dress is also the sixth generation of Kesi. His ancestors They all made clothes for the emperor, including Empress Dowager Cixi, who all wore their clothes.” Teacher Miao also said that the lower part of the skirt of "A Thousand Miles of Rivers and Mountains" represents "clouds" and "water", which means "flowing clouds and flowing water". He also cut out a piece from the original painting as the upper part of the clothing, so that the upper and lower parts correspond to each other, which seems to be true. We showed a three-dimensional map of "A Thousand Miles of Rivers and Mountains". We also learned that Mr. Miao participated in the design of the costumes in the recently hit TV series "Bund Bells". "Bund Bells" tells the story of the ten years from the Cultural Revolution to the reform and opening up. Teacher Miao also has his own opinions on making differences. "The figures of people in that era were very different from those of us now. People at that time actually had no curves. In China, they wore corsets for a period of time, and the body curves were not very obvious. So the cheongsam at that time was Flat cut, although some designers now pursue flat cut, I think flat cut is not suitable for us today. After all, what we are pursuing now is curvilinear beauty. In the late 1940s, cheongsam began to be combined with Western tailoring. Chest darts, waist darts, and a lot of changes in styles. I think cheongsams are actually changing within a certain range, and it’s also to adapt to the current lifestyle.” https://live.staticflickr.com/65535/52798619767_17eaea00c4_o.jpg Mr. Wang Xiaocan, Chief Brand Executive Officer of FDC and Director of the Advanced Customization Research Center, introduced Mr. Miao. He said that when he met Mr. Miao for the first time, he was moved by her concentration in quiet design. Indeed, Mr. Miao's calm and firm demeanor when designing is hard for people not to be moved by. https://live.staticflickr.com/65535/52782876879_d43a0c8b03_b.jpg https://live.staticflickr.com/65535/52783037230_6b27e006ff_b.jpg https://live.staticflickr.com/65535/52782633701_c9b539555a_b.jpg https://live.staticflickr.com/65535/52782633726_d7e39f3223_b.jpg Work history: Yanmu Studio was established in July 2002, and was officially registered as a Shanghai office in August 2005. Yanmu Clothing Co., Ltd., "Yanmu" trademark brand was successfully registered by the China Trademark Administration twice in 2006 and 2012. At the end of 2015, signed a contract with the Advanced Customization Center of the School of Re-education of Beijing Institute of Fashion Technology, and became a lecturer and an external guide division. Since 2015, he has been cooperating with PACC of Shanghai University to create intangible cultural heritage cross-border designs. So far, he has several clothing and apparel series, and has participated in Shanghai Design Week, intangible cultural heritage exhibitions, and handmade exhibitions with PACC in successive years. In April 2016, at the invitation of the Shanghai Intangible Cultural Heritage Protection Center, he participated in the Dubai "Master's Essence" Intangible Cultural Heritage Exhibition, and specially designed a Chinese embroidered Arabic black robe for this exhibition, which was praised by the UAE Minister of Culture. In 2017, participated in PACC intangible cultural heritage research and training, Sichuan Aba weaving and embroidery class, national weaving and embroidery class, etc., and participated in the whole process of graduation creation and design Participated in Shanghai Design Week Exhibition in August 2017 On March 1, 2018, the intangible cultural heritage series participated in the opening catwalk of the "Hundred Craftsmen in the South of the Yangtze River" exhibition in Shanghai. In June 2018, the (Shu Embroidery) "Fu Rong Han Lu" series jointly developed with Shanghai University (PACC platform) was released at the Shanghai Special Exhibition of Intangible Cultural Heritage Research and Training Achievements in Beijing Prince Gong's Mansion. In the same month, he also participated in the development of the graduation works of the intangible cultural heritage training class of Shanghai University, and cooperated with the inheritors of Duixiu Thangka and the inheritors of yak cashmere hand-weaving. Participated in Shanghai Design Week Exhibition in August 2018 In October 2018, participated in the "2018 International Symposium on Chinese National Costume Culture" hosted by Beijing Institute of Fashion Technology In November 2018, participated in the graduation creation design of PACC Xinjiang Intangible Cultural Heritage Research and Training Class Participated in Shanghai International Handicraft Exhibition in December 2018 In December 2018, he participated in the intangible cultural heritage research and training project of Beijing Institute of Fashion Technology, the pilot project of poverty alleviation, sending classes to the countryside, and the Aershan bark painting research and training project. He gave lectures on patterns and colors, and led the students to complete some innovative application design works of bark painting. At the end of December 2018, participated in the China Advanced Customization Industry Summit of Beijing Institute of Fashion Technology, and participated in the show release and static exhibition, etc. In March 2019, participated in the intangible cultural heritage research and training of Beijing Institute of Fashion Technology, and produced the final works of the Inner Mongolia embroidery training class, and participated in the release of "Eji Pastoral" show at Beijing Fashion Week At the end of March 2019, with the return visit group of Shanghai University's intangible cultural heritage research and training, they went deep into Zunyi to investigate bamboo weaving and bamboo carving skills. Currently, they are working with the team to establish a project to develop the application of bamboo products in clothing.