Shino Chawan Meets Blue Leaf Mountain Turtle

**Made by ceramic artist Wang Chongxin** Handmade wood-fired tea bowl Firewood-fired Shino tea bowl meets Yamaguchi A large tea bowl made entirely by hand, with beautiful and delicate lines White and orange are Shino’s basic colors Available from orange to slightly darker brown Some are white with vermilion inside, and some are pure white with a warm and jade-like texture. Unexpected red and orange fire marks will appear on the glaze. Orange peel Brown eyes and moth-eaten effects Produce various textures and textures on the surface of pottery such as density, undulation, and stacking. Pottery leaves traces of the potter With the participation of aesthetics, life experience and tea drinkers Whether it's the simple Bai Zhino or Zhino The artistic and cultural status of tea pottery has irreplaceable value. **Light snow-like glaze color and translucent thick feldspar glaze** **The unique silence that constitutes Shino** There are many explanations for the name of Shino-yaki The most common theory is that it comes from the tea people of the Muromachi period in Japan. Hence the name for the style of pottery that Shino Munonobu favored. Shino is a firing method for daytime purposes Unlike Black Tenme, its glaze color is based on white feldspar glaze The emergence of Shiro Shino is an epoch-making innovation in the history of Japanese ceramics During the late Muromachi period Two white tea bowls held by the great tea master Takeno Shoou One of them reached the Kaga Maeda family There is a sign written by Sen no Rikyu in the box that says "Shaoou and Baimeime". The other one was later owned by Toyotomi Hideyoshi Although these two have different appearances, But they all have the same white glaze mixed with a little gray. The Shino of the Momoyama period also had the same white glaze. **The perfect interpretation of wabi-sabi aesthetics** wabi sabi is a thing that is not perfect Immortal and unfinished beauty That is the beauty of prudence and humility It is also a kind of spontaneous beauty that does not follow the rules. - Leonard Koren https://c1.staticflickr.com/5/4815/31216576347_2c58846d37_b.jpg Wood-fired pottery in use and vision It is rough and warm The beauty we pursue lies in nature, simplicity and solidity The completion of a wood-burning work Much reliance is placed on the potter's physical strength in making pottery and firing kilns. Professional knowledge, adaptability and aesthetic ability **It is impossible to produce an identical work** https://c1.staticflickr.com/5/4824/45243548915_59cf41c8d6_b.jpg The control variables of wood-fired kilns are much more complicated than those of electric kilns. Factors that should be considered in kiln firing may include: Climate, schedule design, kiln location, heat Wood thickness, dryness, wetness, and heating rate Combination of fuel injection amount and air amount The use and removal of carbon deposits and techniques for throwing firewood And comply with the kiln characteristics and control the desired effect of the work https://c1.staticflickr.com/5/4867/44338837570_552671a4b3_b.jpg **Handmade and fired in a wood kiln** **The surface cannot be absolutely perfect** **Perfectionists, please do not place an order** **Thank you for your cooperation~** **Material** ceramics. Each piece of soil is prepared personally using raw ore. The products are all exported and have passed customs quality inspection. Non-toxic, non-polluting, in line with environmental protection and sustainable coexistence of the environment **Origin/manufacturing method** Taiwan/Handmade by Wang Chongxin