Long ampules, new color firewood-fired pottery, hand-made works, basinware | works of Chen Weien

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kuiyao
Taiwan
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Long ampules, new color firewood-fired pottery, hand-made works, basinware | works of Chen Weien - Plants - Pottery Gray

Product Description

[New color burnt long ampoules] Size: about 6 x 6 x 13/bottle mouth: 3 x 3 (cm) Works signed by Chen Weien Each piece is created by hand, and there will be some differences. The unique beauty is worthy of your collection. - #小原流花道 is characterized by understanding nature first, and then expressing nature. The reconciliation of flowers and materials is an important topic, and showing seasonality is the key to enhancing the charm. In the creation process belonging to #感性, I used the angle of # rationality to parse out the doubts, and then returned to the artistic conception of sensibility after studying and analyzing. / #新彩烧#低炭柴烧#Gray glaze The new color burning reflects the awareness of environmental protection. With limited earth resources, how do we live with this nature? Eco-friendly firewood reduces the use of resources, and while expressing life through nature, it also strikes a simple balance with nature. / The classic color of wood fired flax (also known as gray glaze), when the kiln temperature reaches more than 1100 degrees, and the temperature is flat, the fuelwood in the combustion chamber is burned into fine ash, and when it accumulates on the embryo body to a certain thickness, it passes through the fire Covering the embryo body changes, the glaze color is between reduction and oxidation, showing different changes such as dark green, dark red, tea brown...etc.

Product Details

Material
Pottery
How It's Made
Handmade
Where It's Made
Taiwan
Unique Features
Pinkoi Exclusive
Stock
Down to the last 1
Ranking
No.44,223 - Home & Living  |  No.3,527 - Plants
Popularity
  • 1,844 views
  • 5 have saved this item
Product Type
Original Design
Listing Summary
When creating wood-burning flower utensils, Mr. Chen Weien also received different opinions from florists, who believed that flower utensils should be suitable for displaying ikebana creations. #柴烧花器 Through the performance of fire marks, materials, textures, etc., it can match with rigid and soft lines. The works are expressed in the way of "Ohara-ryu" ikebana, presenting the natural collocation of "fire, soil, and people".

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