Ship's Creation History #3-Hearing Number-The Wind in the Ear

**When I opened the book, all the sounds that were not heard were ran out.** A record of the year's walking record, the hundreds of waves of the collection of the Golden Horse winner Du Fu, the insects that Liu Gengming, the director of the dynamic video of the United States, loved, the theme song finally heard by Chongqing Forest, 663, artist Tanaka Gong Qi and Su Yuxian listened to each other's voices, and only the teenagers could hear the harsh frequencies... all these voices were inside. **Publication date: April 2013** **Chinese and English, full color** **96 pages, paperback, 170x230 mm** "The Ship's Creative Journal" is an independently published art publication that uses the five sensory perceptions of human beings as a source of inspiration to collect works and stories from various fields around the world. Each period begins with a sense of unity, combining painting, photography, installation, writing, music, architecture, film, and even food, travel, and the things of life. The founders of "The Ship's Creation" are all Taiwanese artists who met in New York. They lived and created together in different places. They invited the creators of various fields to join the ship with the concept of "ship". **"The Ship's Creative Chi #3" Hearing Number "Early Wind"** **table of Contents:** 1. Foreword - About the ear wind / Hong Xiangru 2. Dialogue - What sound do you hear? /Tianzhong Gongqi, Su Yuxian 3. Composite media - Frederick. Kunus Boys Psychology / Ma Weizhong 4. Behavior - speak in your own way / Christine Jinshan, Li Yihua 5. Film - "Chongqing Forest". Gye, have you heard that? /梁碧茹 6. Interviews - People who collect sounds - Interviews with Du Fuzhi / Hong Xiangru, Li Yihua 7. Music - Recording the footprint of the album / Brian Hors 8. Animation - Insects III / Liu Gengming 9. Text - Silicone Earplugs / Huang Xiaomi, Huang Lipei 10. Nature - Small Rivers / Hong Xiangru 11. Life - what we can't hear, or is it sound? / Wu Shuirou 12. Film - a hoarse interval - Peter. Fogg District "The Whirlpool: A Family Chronicle" / Cai Xinyu 13. Photography - What I want to say is... (Chinese) / Adrien Fiske 14. Concept - Do you understand? / Chen Yixuan 15. Enquiry - read your voice / Zhu Xi'an 16. Illustration - Listening, Listening, or Kim Dae-sung **Foreword:** Hearing is the most inaccessible but difficult to block perception of the five senses. We may be able to pinch our nose to avoid the stench, but it is difficult to use the ear to exchange for absolute silence. In contemporary life, there are all kinds of sounds, but the more noisy and noisy, the more the voice is covered. The wind in the ear means the sound that is not heard. Perhaps because of absent-mindedness, perhaps the environment is too noisy, at the same time the information to be received is too large, or because people often only want to listen to what they want to hear, so some important voices are silently lost, dissipated like the wind. Some of the sounds that are not heard now will gradually turn clear as time goes by; like the mother's embarrassment when I was a child, I always left my left ear into the right ear, although I don't remember what the content is, but the voice is for me. It gradually became a kind of stability force. When she grew up, she would start to say the same swearing tone to her naturally, as if her mother had already lived in me through her voice. However, some of the lost sounds, even if they are real and powerful, are still ignored as they are blown through the ears. They are obviously important messages, but they are all like this. The air disappears and evaporates. For example, in a song, the bass that was buried by the main melody whispered, the confession that was not accepted by the other party, the natural voice that was forgotten by the urbanites, and the inconsistency of the people who did not receive the government's response and the media's attention. "The Ship's Creative Article #3" Hearing No., I want to invite everyone to talk about the sounds that are not heard in life and creation. I hope that the sound collected by a big ear will let the wind blow in. Inside the body, turn into the nutrients of the next voice. **Publisher: Boat's studio** **Editor-in-Chief: Hong Xiangru + Li Yihua** **Master: Ma Weizhong, Cai Xinyi, Wu Shuirou, Liang Biru, Huang Xiaomi** **Translation: Zhan Yuhui, Zhao Aling**