"Word" magazine No. 41 - go all out

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"Word" magazine No. 41 - go all out

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Bimonthly, "boiled fish culture" published, published every single month, in business, triple, world, China, Kubrick, Page One, Eslite, Musical, Preamble, Yulin, Pastoral and other available.
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Cover topic:
After the end of the day, leave the word flower Adonis small album
The final chapter of Vilnius "Invisible City" reads: "Sometimes I think your voice comes from afar, and I am a prisoner, trapped in vulgarity, when all forms of human society Have reached the ultimate stage of reincarnation, it is hard to imagine what new forms can evolve, and I hear in your voice the invisible fields that make the city survive, and perhaps for these reasons they may be able to rise again after they die. "

The latest issue of "Flower" focuses on "walking hard". Inviting a group of writers to "leave the home" as a theme, we can write off the state, the reason why and why we can and can not. The departure requires a starting point and we I am afraid not even know where to start.

The topic first brings Huang Biyun's latest work, "Returning Homeland Excursion". Because there is no village, only purely for the go-go, can be without fear, no native place, they can only continue to walk, to no direction; Xie Xiaohong's "quadrant" divided into two, as "I" "I" was thrown into the sad "quadrant"; Pan Guoling's pseudo-Baroque middle-class castle's escape route, Chen Hui-jian's trip to Argentina, and Liu Weicheng's fairy tale as a "balloon" Go away. What can not be missed is the interlocution between Li Zhiliang, Liang Wandao and Dong Qizhang, accompanied by Dong Qizhang's "Future Archeology."

In addition, this special planning Adonis small series, from Tang Rui and Adonis's rhetoric, tracing the life history of the Syrian poet began; and Gu Te Adornis placed in the Arab modern poetry of the place Re-read, and select the translation of poetry; Xue Qingguo's poem points Adonis "heresy" features.

At the same time, with the introduction of Mo Yan's small series, the author of the original Taiwanese writer Tong Weige's native writing began to pass through Liao Weitang's analysis of Mo Yan's open remarks, combing with Deng Zhengjian the complicated relationship between the political position of the writer and the subjectivity of the novel, The combing of literary history, as a way of pressing on the volume, attracting more questions consciousness, more thinking cartography, subversion and detachment, should be followed up by readers.
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Hong Kong

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