Zihua－Literary Magazine Issue 48──Cure Disqualification

The bimonthly magazine, "Boiled Fish Culture", is published at the beginning of every single month. It is available in Shangshang, Sanlian, Tiandi, Zhonghua, Kubrick, Page One, Eslite, Lewen, Preface, Yulin, Tianyuan, etc. Some phases have limited stock and are sold according to the quantity in stock. Although the cover topic of this issue cuts into the Japanese popular culture concept of "healing" and "healing system" from writing, at the same time, we build this topic from the attitude of fundamentally questioning the concept of writing and healing. "Healing Department" has formed established formulas and strategies in entertainment, art, and text publishing. For example, cultural commentator Tang Zhenzhaoyan said, "In the Japanese context, the term "Healing Department" originally originated from religious usage, referring to the gods of the Bible. Healing functions. Since the "healing trend" in the 1980s, professional knowledge in different fields such as religious anthropology and psychology has been integrated, and the consumption patterns that can be seen in front of us and pop culture have gradually emerged. The background of the upsurge is first separated from Regardless of the overall frustration of the society—the collapse of the bubble economy in the second half of the 1990s..." The influence of Japan on the Chinese-speaking area has also undergone a local shift. Among these consumption patterns, what we are asking is, in the melancholic atmosphere of literary youth and the anxious writing mood of urban authors, is it possible for us to approach self-empowered and self-determined healing? The classic healing texts have their inescapable features, but they implicitly stipulate their own exclusive healing prescriptions and trigger speculation on healing through creation. Serious literary authors who are bound to deny the concept of "rehabilitation" and seek more profound salvation, regard the body Between spiritual guides who want to truly liberate the ontology, and readers from all walks of life who have their own concerns, we know that devious autonomy is still possible.” The topic is divided into three parts. The healing questionnaire at the beginning is the display field of the healing path with many voices. We solicited more than 20 readers/creators for their healing choices, which covered countless movies, music, and books, and some readers even listed all kinds of strange behaviors, which is unavoidable. It reflects the fundamental distance between so-called healing books and personal healing experience. In the second part, we define the concept of combing healing, which inevitably "overturns the topic". To this end, we approached Zhang Yumin, who studies Japanese culture, and by reviewing representative research works, carefully disassembled how Haruki Murakami’s novels showed the core religious function that Japanese literature often has, and how this function is related to Japanese literature. The awareness of catastrophe is closely related to the cultural revival responsibility of literature. We have to seriously think about whether this so-called healing feature that originated in Japan has its corresponding value in the local area? Are there any differences in the collective healing appeal generated in our society? It seems that there are still many problems to be sorted out between the cultural origin of this "healing system" and the actual healing effect we are pursuing. Is the healing the effect of reading? Or the writer's cultural commitment? Can writing heal? Is that the author's own healing process, or can a broader religious redemption be achieved? When we interviewed Su Hei, a well-known local popular healing writer, she emphasized that writing cannot heal wounds. In a dialogue with Hong Kong and Taiwan novel writers organized by us, Yu Ruomei and Hu Shuwen also repeatedly dismantled the general literary healing and extended the imagination of healing to physical experience, talking about the impact of transcendent intuitive experience on the renewal of creative momentum. meaning. And we also found that compared with the popular healing books in the market, literary authors have more creative possibilities derived from healing. In the last part of the topic, different authors are invited to show their own distinctive self in different writing methods. Healing strategies, including red eyes subverting Wen Qing's depression with its post-modern and superficial brushwork; Zou Zhiyin quoted a large number of literary books on the text table, Luo Zhanfeng's illness and music counterpoint method, and Ah San discovered that the energy of healing is positive. And so on. When we gradually deepen the thinking of literary authors on the concept of healing, we find that, compared with the clear creative will that is used to declaring lofty ambitions, the healing experience always has something in common in its local writing and reading. A sense of self-limitation, a longing for the essence of life, and a rediscovery of the existing situation. Origin/manufacturing method Hongkong